This morning Tom spoke with Lebanese artist Tarek Atoui and Mudam curators Joel Valabrega and Sarah Beamount about Tarek's exhibition 'Water's Witness' which is showing at Mudam until the 5th of February.

Tarek Atoui’s (b. 1980, Beirut) work inhabits the intersection of visual and sound arts. Known for his sonic installations and performances, Atoui privileges a sensory approach along with an investigative process that embraces history, anthropology, ethnology and musicology. He considers sound to be a catalyst for human interaction leading him to collaborate with other musicians, as well as researchers and musical instrument makers.

The exhibition Waters’ Witness, presented in Mudam Grand Hall and the Park Dräi Eechelen, is based on the ongoing project I/E Atoui initiated in 2015. Drawing upon research made in collaboration with the musicians and composers Chris Watson and Eric La Casa, Atoui uses sound recordings to document the human, ecological, historical and industrial realities of coastal cities that have a past rooted in their docklands, such as Athens, Abu Dhabi, Singapore, Beirut and Porto. Working in close proximity to or under the water, Atoui uses various recording techniques to capture the sounds of the sea and docks, and materials such as metal, stone and wood.